The brief
The story lives on one long road. The director wanted aerials that made the landscape feel vast and indifferent around a single car.
How we shot it
We matched the main unit’s framing and color references, flying high and wide to keep the car small in frame. Continuity notes from the script supervisor set the time of day and direction of travel for every shot.
Details
- Client Independent feature (illustrative)
Deliverables
- Establishing shots
- Travel sequences
Frames
